I mostly can’t start a story if I can’t get the name right. Even if I am going to change it later. The voice of the story for me is too dependent on the name. I listened to a very successful author who said, if my flow is good, I will give the character a name like ABC and continue writing.
But I can’t do that. I have to find the first name at least – especially if it is picture books. If I am writing a longer piece – then I need the last name too. Because I didn’t grow up in England, I have to research English names a lot. I can’t assume a name would be used in a specific part of the world.
However when choosing a name, these are my considerations:
a) The name should be memorable, but should not sound artificial.
b) The name should provide the opportunity for nicknames, shortening and even taunts. If I want to put the character through misery, the name should lend itself to it.
c) The name should sound like the person. This is the hardest to find. I like to match thin characters with last names like Beany and bullies with names that can be made fun of like Bottomley.
d) The name should not be too much of a caricature. I want the writing to show humour and the name to add to it. For example, if I think a character is too smooth, I wouldn’t call him Roger Smoothie, but Cal Butter or something.
e) Unless there is a purpose, I prefer character names to be of maximum two to three syllables.
f) If there are other ways to link the names to the story and plot, I’d pick those names. For example, historic precedence, a name in the buried treasure etc. Then names that are too modern like Madison won’t work if I want the name to be linked to something that happened 100s of years ago.
g) I try and pick characters with different starting alphabets – especially for the main protagonist and his friend or the antagonist. I don’t want to keep reading Ben and Bob all the way through the book. It does get confusing especially for younger kids to separate them out.
h) I borrow variations of names from people I know. I do that to birthdays and other quirks too.
i) I also worry about pronunciation, not just for my readers. I have to be able to read the book aloud and if I can pronounce it, then I would not be able to talk about these characters.
Sometimes I do make the mistake of choosing or making up a name that is hard to say aloud, because I am just writing the first draft. Then when I start revising and start reading it in my head and aloud, I realize the mistake and go back and change the names.
Although I spend a lot of time looking at names, I don’t spend enough time writing their character study. Somehow I want the story to evolve and fill in those gaps. I know that will involve a lot of editing, but that’s an area I struggle. I can describe characters and use motifs to showcase their characteristics. But I cannot do a character chart that many novelists do. That part of my brain is squashed under a big blob of reluctance.
Here are some wonderful links I found when you are researching names.
Name Finder
http://www.ssa.gov/oact/babynames/decades/names1920s.html
http://nameberry.com/blog/category/name-advice/choosing-the-right-names
Names with history
http://search.ancestry.co.uk/search/
Some of the name choices for my books:
In “Where is Gola’s Home?”, I had to choose an Indian name that might suit the lead character, a yak. In the same story, I have a vulture which is called Muri.
In “A Dollop of Ghee and a Pot of Wisdom”, I chose Veera – meaning Brave for the prince and Suku for the prince’s friend, which is a short form of Sukumar – translating to a nice person or boy.
How do you choose character names? Do you have other links to share? Leave a note in the comments box.
Thanks for sharing the link Joanne.
Thanks, Chitra. There are so many good ideas here. Choosing character names is definitely one of the hardest things for me.
Author/editor Beth Hill has some in depth advice on character naming here:
http://theeditorsblog.net/2011/04/29/dont-call-me-ishmael-name-that-character/
Thanks Richa. Glad it is of help.
Thanks Saba. Yes, that’s a consideration depending on the story you’d like to write, I guess. Funny stories lend themselves to it. But I think alliteration overall works great even for serious characters.
Sometimes writers hide first names too. Like Inspector Morse, until the last book we never find out what his first name was.
I’m glad you did a post on this, Chitra, because I always find myself struggling with names. You’ve given enough leads for me to start thinking afresh!
Hi Chitra! I like to use alliteration and the way a name sounds as well as the image the names convey – the name also has to have a musical element to it e.g: “Tilly Twinkletoes” or “Caggie Crusteen” 🙂
Thanks for the blog link Nick. I’ll check it out.
Thanks for that advice, plenty to chew on there. I’d never thought of choosing names that reflect a person’s character, although that might be something I do subconsciously. I am also a stickler for getting names right before I can move forward, and not just character names either. I made life very hard for myself with my current book, because my characters had to have names that worked both as given names and as part of pseudonyms that would feature in the title of the book. I think I drove myself a bit mad trying to balance all that and wrote a blog about naming things as a result: http://www.whoatemybrain.com/2012/09/the-naming-of-things.html