Between Two Launches

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Farmer Falgu entered my life two years ago. He was inspired by John Burnigham’s picture books – three of them – all about journeys and unexpected companions during that journey.

I knew there is a story I wanted to tell – about travellers in India. Show the colour and sounds of India in a story about journeys. And Farmer Falgu had a perfect excuse – he wanted peace and quiet. He wanted silence.

In a completely different track, wanting silence and not finding was a theme I had been revisiting many years in a poem – I was in a remote farm during a workshop and I thought it was quiet at night. It wasn’t. I heard insects and birds, animals calling out, the night itself was filled with sounds of life.

I was writing this story on spec. For a publisher who specialized in audio-books. And I thought they’d appreciate music and sounds in the book. So every page had sounds and some opportunity for music.

Farmer Falgu Goes on a Trip was written, edited and accepted soon after by the wonderful Karadi Tales from my home-city Chennai. Two years later, here we are with a beautiful book – Farmer Falgu has come to life with Kanika Nair’s illustrations. He is now a farmer from Rajasthan with quiet wisdom and a positive attitude. We now know more about him than when I wrote it. I should thank Kanika and my editorial director Shobha Viswanath for that.

I’ve been writing for many years and once in a while I’ve had events organized by publishers for me. But my books were mostly launched in absentia as I write for publishers around the world. Even the book that was published in the UK was celebrated with a card. Mostly because I didn’t know better 6 years ago. I didn’t realize I could have done a launch party myself, like I did for Balu’s Basket last autumn.

Farmer Falgu is very lucky. He has Karadi Tales behind him. He has Shobha Viswanath for a champion. Shobha loves Farmer Falgu and his stories so much that she had planned a fantabulous launch event.

I was lucky to have been in Chennai for this launch. Right time, right place and a perfect launch for Farmer Falgu.
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Firstly, Shobha had chosen a great venue where kids came in droves. Isha Life had the perfect ambience for storytelling – in an Indian summer, stories flowered and blossomed like the white mango flowers of the tree we were sitting under.

Then we had a percussion master for the storytelling. Murali was amazing with all his mini percussion instruments and his drums. He created Farmer Falgu’s world with his myriad of musical instruments. And then we had songs set to music by Viswanath who had less than an evening to come up with a tune and less than 10 minutes to show a novice like me how to perform it with him.
As I watched the programme unfold, I was nervous. I’m a writer. I sit in a study, stare at my computer and write for hours. Then I edit. I read aloud alone and I send it off.

I am an aspiring storyteller. I am slowly starting out and a long way to go before I’d call myself an expert. Definitely an amateur too. While I’ve been away 15 years working and living abroad, Chennai and Bangalore has turned into an oasis of storytelling. And here I am flying around the world to my home-city and finding that I’ve so many things to learn.

While I’m chewing at my nervousness, Shobha landed another surprise. She had invited a leading theatre and movie star Karthik Kumar. He has an impressive array of credentials in theatre and performance and here I was a quiet writer from London who had to perform in front of him.

So can I do what they want me to do? Can I join in? Can I sing? Can I keep the kids occupied? Will I let Shobha down? Most importantly will I let Farmer Falgu down?

I had invited friends and family to the event. Was I going to be the most remembered joke in my circles?

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So there was no time to hesitate. I was the author. I wrote Farmer Falgu’s story. He was popular and I owed it to him to do the best I could. To do more than I had ever attempted to do.

As I stood at the mike, holding a big printed copy of the book, I realized I wasn’t shaking. I normally do in front of a mike. I was more focused on the music on my left, the kids in front of me and the parents (including mine) seated in front of me.

We had the music start us off and then we launched into a song. Admittedly I could have slowed down the song a bit and help the children join in. But as I said, it was the first time for this story to be told and many a lesson to be learnt.

We had song interludes from Viswanath and everyone joined in. We listened to Murali make exquisite music and then Farmer Falgu returned home happy just like the kids in front of us.

But the treat was not over. The kids were all loaded up into a bullock cart specially commissioned for the day and then they set off for a ride in the park just like Farmer Falgu went on a trip. The bullock cart was a big hit.

As the kids returned, we had mums, grandmums and my friends come up to me to say they loved the book. Little girls and boys came up to me to say they liked Farmer Falgu’s story.

Here are some wonderful photos from the event.

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That was the reward. That is the reason a storyteller tells stories – either orally or in written form. For it to make someone happy, to resonate with their own truths.

And you would think the day was over at that point. It wasn’t. The local city column of a national newspaper wanted to interview me and I had to thank Karadi Tales for that too. I did a phone interview with the journalist and in a day or two, there it was in one of the leading newspapers in India.

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Farmer Falgu was welcomed amongst his fans with a lot of fanfare and music. I’m sure he’s going to stay with us and show us his quiet wisdom over the coming months and years.

And now, I am back in London and getting into my daily routine. But Farmer Falgu needs a reception back here in London as well.

So we are celebrating a London Launch on 18th May at 2 pm in Streatham Library in South London. Do not miss the event if you live in London. Farmer Falgu will be visiting and there will be cake too!

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Looking Forward to New Experiences

I’ve been to India many times before. You’re right, I was born and brought up here in Chennai, the city with the second longest urban beach in the world. I grew up knowing nothing else but Chennai for most of my adult life.

When I left the country, initially I didn’t return much. My first picture book  Where is Gola’s Home with Tulika Books came out in 2006. It was  one of my life-long dreams of being published by them as they were part of my Chennai fabric. Since 2006, I’ve visited many times the last 8 years, but this time is different.

This time I come home as a proud author. image descriptionWith a book launch in India with Karadi Tales, with two books out from Tulika Books and of course three author events. I once attended a convention where one of the authors said – DON’T SAY NO. JUMP IN.

And that’s what I have been doing the past few months. I’ve been offering school visits, going to libraries to do events and now a book tour of sorts. What fun!

Chennai is home. But Chennai is also the epicentre of children’s book publishing in India. Chennai is also the centre of the revival of storytelling in India, especially for children. And while living in London, watching all this unfold, I felt I was missing out.

This trip has given me an opportunity to dip into this marvellous world of storytelling, meeting with kids in Chennai and getting another book out in India. I should make myself an “I am a Chennai Author” badge – because I’m so proud to have been born here.

I don’t think my love for books was anything related to Chennai – although I do think the reading and literature scene is big in Chennai. With Tulika Books, Tara Books, Karadi Tales and even Duckbill is now based in Chennai, it is the happening place for children’s books in India and I’m ever so proud to be wearing the Chennai badge.

Balu's Basket Eng-Tamil F.pmdI’ll be telling stories from Balu’s Basket and Where is Gola’s Home? in the famous Hippo Campus on the 19th April. A world book-day event and of course an Easter event of sorts. Then I am at Just Books, Anna Nagar on the 27th April. gola_webCome and listen to another book As I Watch, published by Guardian Angel Books as well.

The book launch is on the 27th April too, in the afternoon and I am at Kids Holiday Camp on the 2nd May telling more stories.

Come and say Hello, if you too are in Chennai and love listening to stories.

 

Acceptances Galore!

When I got the email today from my editor at Karadi Tales with the contract – I felt elated, accomplished. It felt good. But I also wondered about why this year? None of the books I placed this year were written earlier. None were revised year after year like the story of spider I’m trying to place for years.

So what was the magic all about?

Firstly, I think I studied each of these publishers closely. I didn’t have access to their books in the UK as two are Indian publishers and the other is from US. But I read their guidelines, went through their catalogue, asked them questions about what they are expecting to see.

Then the second most important thing I did was pick the story that fits the audience – I knew the target audience of the publisher. I knew what stories I wanted to write. I religiously incorporated features the editors would like.

For example, all the 4 topics I wrote about – a clever camel, a flying umbrella, a cumulative trip, a market trip – were topics close to my heart. I like journey stories, I like stories where the protagonist meets lots of interesting characters on the way. I like clever tales, with a funny ending.

Once I wrote and revised many times, I incorporated some of the things the editor might like. For example, Pratham Books were going to translate the book into many languages. So I chose the language carefully. Nothing complex. I also knew they wanted a cheerful character. They absolutely loved it and sent an acceptance ahead of their review calendar.

For Farmer Falgu’s first book with Karadi Tales, I wanted to bring out the music elements. Not in the first few drafts – but I got an opportunity to edit. The editor wanted changes and gave me some overall feedback. But when I rewrote it, I also incorporated the music elements. I did some overt rhymes and rhythms. Because the publisher is primarily an audio producer, I knew the book stood a chance with those elements.

I loved the character I wrote for Karadi Tales. Farmer Falgu stuck in my head and wanted to go on a trip again. This time instead of sending  him on a mission, I sent him to the market. But it turned out to be an eventful trip and Farmer Falgu conquers his problems at the end and comes out succesful.

Again I got great feedback, but some edits as well. And I loved the edits the editor had made. I understood more of what they want and how they liked some of the words, structures etc.

So, after I sold my first picture book in 2006, I’ve had 1 with GAP (As I Watch) since then and then a few e-books. But this year has been a bumper crop. Acceptance parade! And I think that’s because I’ve matured as a writer. I am able to acknowledge my strengths and weakness and play on the strengths more.

This is nowhere the end of the story. It has just begun. I want to place some picture books in the UK and some chapter books too. Have you read “A Dollop of Ghee and a Pot of Wisdom?” I want the next book now! This came out in 2009 and I want a few more to be published here.

If I wish for it loud enough, work for it hard enough, I’m sure that too will come!

 

The Third Picture Book of the year – Farmer Falgu

 

I had always wanted to write a funny journey book. I tried various times and it was never right.

And then while researching Indian publishers, I came across Karadi Tales. I know Karadi Tales from a long time ago. They are based in my home-town Chennai (I should say City – but home-city doesn’t have the same feeling of reminiscence.)

I know they were big on audio and I was delighted to find out that they are now publishing picture books too.

So I decided my journey book would be an Indian story and the characters in the story, uniquely Indian, folksy even.

I wrote about a farmer who sets off and meets different people. In  my first draft, I setup a problem for the farmer – but didn’t really solve his problem. But well like all writers, I thought it worked. I sent it to the editor at Karadi Tales.

In a few weeks, the editor came back. She said we liked the story; but…

Ugh! Here we go, I thought.

The rest of her email actually told me what she felt was wrong with the script and offered to review a revision.

Ha! That’s better, I thought. See, editing I can do. I can revise something to death. Once I get a hint I am very good at solving the puzzle. Most of the time I suffer from near-sightedness – I can’t really see what’s wrong.

 

I set off towards the revision. The first thing I did, was to work out the ending, which the editor said wasn’t satisfying. I had an idea – long ago I had written a poem (that went unpublished) on the silence of nature and listening with eyes. I gelled that with the story and I thought I had a good ending now.

But then I thought I would use this opportunity to do some more revisions. I cut the words and introduced sounds of the farm. Then I introduced in-line rhymes. I checked the rhythm one more time and cut some more.

I worked on it for 3 days – making changes here and there. And finally sent it out again and set off on my holiday in 8 months to Scotland.

The good thing is my day job is so busy and I am usually working on so many projects that I forget what I’ve submitted in a conscious way. Although I hold all my submission entries in my head. I exactly know who is yet to reply.

A week and half later, I was in bed, with a bad cold and fever. I heard a ping on the phone in the afternoon. Without looking at the phone, I knew it was the editor. Not sure why – it could be the time – because all my spam is focused before 11 am and after 10 pm. And in India it was end of the day. When editors tackle unsolicited manuscripts worldwide.

I didn’t check the email for another few hours even though the phone was right next to me. I was that ill.

Then I checked and I rejoiced. Yes we like it and can we publish it as a picture book.

Of course, you can! I was happy about so many things – it showed me the power of targeted submission. It showed me how market research and knowing the publisher and their alignment would help pitch the right story.

Well, hopefully this book too will be out next year and will do well.

What’s next then?