In the UnLikely Event – Part 2 of 2

Have you read Part 1 of this story? If not, find it here.

We were listening to Charlie Higson and Arabella Weir talk about their books. No connection to their books, but they obviously were good friends. Charlie told the story about how he scared his kid writing the zombie series. I’ve heard it before in a smaller setting three years ago – but it was still funny. He did the voices too this time. And of course he said he possibly couldn’t work on Doctor Who if they asked, because he was busy with Dr. Jekyll and Mr. Hyde series for the television. (so there, I tied one loose end from the last post, didn’t I?).

jhI loved that book as a child. I think subtly it taught me about people could be both black and white – sometimes as a young person it is hard to assimilate what you see around you unless someone put it in a book.

Anyway, there we are in the front row, tweeting and checking tweets and hoping Charlie or Arabella won’t mind us looking at our phones, right under their noses (and skirts). And I saw a tweet say – the Judy Blume / Patrick Ness conversation was in the first floor.

First floor where all those dressed up people had turned up in droves, ten times more than the first day? First floor where big sets for SyFy TV was setup and first floor where people who were afraid of sunshine moved from one merchandise shop to the other? This was Big Bang Theory coming alive in the worst possible way.

I tweeted back – but that’s not the YALC floor. Are you sure?

Patrick Ness tweeted back adding Judy Blume to the conversation – Yes, it is in on the first floor, take it from me, I am interviewing her and I’m sure.

Okay then, we had to make our way downstairs, through throngs of people who would be doing the same. Michael J Fox was already in session in that big hall. It was running late. Yes, we knew it would run late, because people didn’t know where to queue for the show – so they interrupted every session on Day 2 to tell us where to queue to see Michael J Fox. Everyone except those who wanted to see him knew where to go.

Christina and I decided we were going to try hardest to get to the front row seats. She said let’s a scot show you how it’s done. I laughed. I’m from India. Crowd, getting seats, jostling in sweat, I can do it. This is what I’ve trained for all my life. Leave it with me. Well, we hoped.

When the big shutters were opened and the crowd rolled out, we waited ready to pounce into the hall. Perhaps like Spiderman hauling ourselves into the stage with spider glue.

That’s when it happened. Judy and Patrick (see how familiar I’m getting, next I would be cooking lunch for them), came through. We were literally at the door. No choice, they had to go past us. Judy gave us the biggest smile and hello. We hello-ed back. I hollowed out. Then Patrick and then I thanked Patrick for tweeting back.

Then the mad rush to get seats. Ha, ha, never challenge an Indian person about getting seats. Go to India and see how creative we are with hand-kerchiefs. I found three seats for the three conference-teers. Right in front of Judy. She couldn’t miss seeing us.

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Anyway, enough of the trailer before the actual movie. The actual interview was fabulous. She was warm, funny, direct, frank and genuine. It was brilliant, she referred to her husband George often and he was in the front row seat too and he asked a question that perhaps many wanted to ask.

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Patrick was brilliant – you can genuinely see the affection and warmth between the two people and of course UKYA authors had turned out in droves and many fans.

I had told myself I wasn’t standing in queues for signing. I hadn’t bought a single book or picked up a pamphlet or a button or a sticker so far. But I decided I was going to stand in the queue and meet Judy Blume and read her book and read all her books – how come I never read any of her younger books?

I had brought money in the Unlikely Event I had to buy a book and I did buy her book (and more…, more on that later) and stood in the queue. A very friendly person perhaps from her publishers took pictures on our phones for all of us. So that was good. I have this Unlikely Moment caught on camera.

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Judy did recognize me from the encounter at the entrance and from making inevitable eye-contact from the stage and she asked – Have We Met Before? She was amazing – even if everyone knows it, I am going to say it.

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The funny thing is – if I told anyone at work or anywhere different to my book circle, people won’t understand the celebrity status of the writers we revere. Malorie Blackman, Chris Riddell, Patrick Ness, Tanya Landman and so many people I know, I’ve met, I have made friends with – they are celebrities to the children of many generations, celebrIMG_1910ities to other writers – but they are not YouTube stars or Hollywood Icons or recognizable BAFTA names or Heads of State or anything. They should be – we would have a better education policy.IMG_1911

So this moment of meeting Judy Blume and Chris Riddell and hanging out with award-winning writers after Day 2 of the conference – is special to me and those like me. Who cares if others don’t understand? Isn’t that what Comic Con is all about – we love this stuff and we get out once a year to celebrate this and who cares what you think why we are dressing up? I get it I think.

So if you thought meeting Judy Blume and Chris Riddell and listening to Malorie Blackman and two days of hanging out with now-best buddies would be the end of it – you’d be disappointed.

Again thanks to Facebook – a librarian friend said there’s a fringe party after the event at the pub- are you going? I checked it out – I saw some friendly faces in the Facebook event. So I asked if I could go and of course the friendly folks that YA authors are said Of course.

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So after Day 2 at YALC we headed to the pub. All the glitterati of the YA author scene were inside the venue in a party. We hung out in the pub until slowly people trickled in.

I met some wonderful authors, some I’ve met before a long time ago and some only on Facebook. I got to meet Anthony McGowan again and he introduced me to Caroline Green and then Jo Cotterill was there, Lucy Coats without her Cleo headgear, Lee Wetherly, Liz Kessler, Sarah Mussi, Lydia Syson and loads of other people.

yalc_tanyaTanya Landman had come down just for the YALC party and she had promised to sign my book  (well her book, I have a copy, er, you know what I mean). We ended up talking about diversity in books and jolly good she said she would help with any initiatives I might kickstart. So watch this space for that.

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They talked and I listened most of the time. It was totally Unlikely. Here were a bunch of award-winning writers, with amazing talent and track-record and I was in the same space-time continuum with them. How Unlikely was that?

 

It was a weekend of Unlikely Events and one I wouldn’t forget. I’ve made new friends, forged new connections, learnt from the speakers and more importantly brushed shoulders with the masters of today’s UK YA scene. An Unlikely Blessing for sure.

 

 

Oh btw, I chickened out of Day 3 of YALC and I’m writing this. So the introvert did assert herself again – but I’m glad she hid away for Day 1 and 2.

In the Unlikely Event – Part 1 of 2

This entire weekend and the days before that have been unlikely. I’m not a writer of Young Adult (YA) books. I read some YA – but definitely not horror or science fiction or fantasy. Therefore it was highly unlikely I was going to attend the YALC – the Young Adult Literature Conference especially inside the London Comic Con Height of Unlikely from where I stood.

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But that’s what happened. In a moment of utter boredom at work, I was googling something when I found that the YALC was in its second year, setup by the amazing Malorie Blackman in 2014 as part of her laureateship. I didn’t go in its inaugural year as I didn’t think myself either as a YA reader or as a YA writer. Loads of my friends from Facebook and beyond did go (they are YA writers) and they loved it.

So like a typical Young Adult or in normal speak teen, I didn’t fancy getting left out this time. I wanted to be part of the buzz too. I was going to go – there was nothing planned for that weekend anyway. So I booked.

Normally I book things and don’t go to everything I booked – simply because jhI’m an introvert first and a social next. Yeah, yeah, you won’t know it when you see me. That’s me dressed up as an extrovert, like Dr. Jekyll and Mr. Hyde (Oops, sorry, Charlie Higson, I’ll talk about it later).

 

I’ve been scouring Facebook to find others I knew who were going this year. Other than the speakers of course because you know, speakers are different. They’d be on stage and they’d have an entourage and signing queues. I found no one from my immediate comfort zone – that was going. Hmm, as Monday came the ping-pong of I’m going, I’m not going started in my head. I still hadn’t told anyone I was going.

By Wednesday, I was almost pinging on “I’m Not Going” when I saw a Facebook post that Christina Banach and Candy Gourlay were going to be at the Barbican Library to celebrate the launch of Moira McPartlin’s new book Ways of the Doomed.

Barbican Libray – I had always wanted to go back there. I live so close to this library and I work very very close to this library – I thought maybe I would go to the launch.

Kids-Library-BarbicanBut I would be gate-crashing. But it is a launch. Anyone can go and buy a book. You don’t need to know Moira. Candy knows me – so she would introduce me. So the argument went on in my head the whole day – I went to the Facebook page and said Going. Then Not Going. Then Going again… I finally changed it to Going at 6 pm that evening, printed out directions from London Wall to Barbican – which is not very tricky at all. And I set out.

When I went there, I found it was a book launch, in a library. Okay, I’ve been to events like this before. I can manage. Yes, I found Christina and rudely interrupted her chat with her friends. And I clung on to her. Then I waved to Candy and Moira McPartlin smiled and asked people to sit in the front and I sat down.

It was a brilliant launch – both Candy and Moira were funny, warm, honest and funny (did I say funny?).

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Wine, some more SCBWI people who know me from Facebook and buying of the book and signing of the book and then Moira invited all of us to the pub when the library closed.

More SCBWI people like Peter, Jenny and more time with Candy and YALC came up quite often. Moira, Christina and I were all going. Yes, I finally confessed I had a weekend pass. Gold was it? In any case it was orange in colour. So we agreed to meet up, and stay together. Phew! Now I was going. I had committed. But I also had friends to connect with.

When the time came to get down at Olympia and come face to face with a snaking queue of Comic Con goers I panicked again. YALC – not this queue, said one of the organisers, go around. First I relaxed – okay YALC queue might be shorter, maybe a different building and all. Little did I know.

Around the building meant more queues to witness – more people dressed up. More people perhaps seeing sunshine for the first time since the previous Comic Con (I’m going to leave that description there, Lee Weatherly. If I wrote everything I told you yesterday, I might be sued.)

I was almost ready to type – Something came up, go ahead. I won’t be coming to YALC as a text to Christina and Moira. But I got a text from them – we are in the queue, come around.

Anyway, after a near-panic attack and a lot of advice on Facebook from Jo Cotterill and others to keep calm and carry on, I got inside the building. Entered Level 1 – freaked out with lots of Comic Con merchandise and more sun-starved men and some women and I rushed to Level 2 and slowly relaxed.

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More of a book floor. More stalls of books (and some Comic Con stalls too). Spotted some friendly faces, found my friends. Bought myself an exorbitantly priced bottle of water and tea and it all began to unfold.

The three of us glued ourselves to the first row seats, where the speakers could make eye-contact and didn’t get up until the evening. Trust me, I’m an introvert. Even if I was in the front row seat.

I found myself listening to authors I had heard children speak about in schools – Darren Shan, IMG_1884Derek Landy – people who write scary stuff, horror and fantasy and all mixed up.

What was I doing here? I don’t read horror or write horror. I am not scared, I am just not that interested. It’s not my thing. The sound operator perfectly projected my boredom like this.

 

IMG_1879But it was fascinating to listen as a writer to the process, how they think about hunting down and killing characters. I know kids love it. For me this would be so similar to gaming but with all the imagination and levels in your head. That’s the best thing about books, isn’t it?

Now the ping-pong for the next day started – should I come back? Do I really want to sit through stuff that I won’t ever write about or read? This event is for fans – I felt as if I was an imposter. I wasn’t a fan. I can’t talk about this stuff with any authority. I don’t dress up as characters. I barely dress up as myself most days.

Did I go to the Cosplay party after Day 1 – you’re joking right? Especially Harry Potter themed –  I have to confess, I’ve only read one paragraph of the first book. I would be more of an imposter if I did go. I want to read it – but there’s such big books.

But the next day had less paranormal and more closer to normal – if you think there is something called normal for teenagers. But Malorie Blackman would be there. More authors I know and I’ve reayalc-buttonsd. And of course the big event – Judy Blume and Patrick Ness in conversation.

Anyway, as usual comrades in conference, Christina and Moira kept asking – you’re not coming then? Oh go on then, I’ll come. But I won’t come at 9 am like a fangirl. I’ll come to my first event to see Malorie at 12:30. Although Christina and Moira said I made a mistake by missing the first panel by young writers. Oh well. Trade-off for a morning of clearing my work, getting some writing done and lunch before I headed to Olympia again.
The story changes track here. It was a fabulous second day. Great speakers, fun interviews. I enjoyed the entire programme. And we were as usuIMG_1887 al seated in the front row where the official photographer wished he could be. We took some amazing pictures of the stage.

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I was tweeting all day with #YALC and engaged with so many people. Made a school visit connection, met a twitter-friend and librarian in person who has invited me to her school.

 

And now it turned Unlikely. Chris Riddell was in the building. Wow! Fantastic! Even the bookshop waIMG_1899s surprised. Oops! The official bookseller had not stocked his books because no one knew he was going to come. What a brilliant laureate and person he was. He drew individual pictures for each person who wanted to meet him. How lucky those folks were. I got a book signed – big mistake. IMG_1908 IMG_1909So I didn’t get a drawing that could go on my wall. I should have asked for a picture too – but I chickened out. I did talk to him about Prague and its spires and its Gothic architecture and he told me he felt the same. Right behind me was Holly Smalle waiting and the pressure to leave Chris Riddell in celebrity hands was high IMG_1907– so I walked away holding my book close.

 

 

 

Well I skipped over something very important between tweeting all day and meeting Chris Riddell.

IMG_1897The Unlikely Event of my meeting with Judy Blume (And Patrick Ness). I coined a new term too – BlumeNess© (All rights reserved). I’m going to have to write another blog post about that.

And of course about an after-after-party at Hand and Flower with some YA luminaries. That’s for the next instalment too because I’d be here all weekend writing about that.

Read Part 2 here.

What do I do when I’m not writing?

I’m not a full-time writer. I still can’t afford to live on my writing income. In fact many writers are in that position nowadays. But I’ve always been writing while I was working ever since I sent my first unsolicited manuscript out in 2002.  The first 3 days of the week, I write only for an hour or so in the mornings. Then comes the creative part of the week – Thursday to Sunday. pie1But what does that mean? Do I lock myself inside the attic room of a tower and type away on my antique typewriter until the takeaway man rings the doorbell?

Nope – no attic, no tower, no antique typewriter and definitely not the takeaway. Much too fussy for takeaway.

Take the case of a professional racer like Lewis Hamilton – he says he never drives cars when he is not working. He rides a bike (not the pedal one of course). So as a writer what would I do with all the time I have every week for 4 days? My colleagues from my day job think I languish in the garden, enjoy elaborate lunches and go to the theatre most days.

Nope, no garden, no elaborate lunches and not a lot of theatre for sure.

My first priority is always the current projects – if I am in the middle of a book that is contracted, or a magazine article or editing a proposal, that’s what I would spend my mornings on. But sometimes I do get distracted and work on something completely speculative and then force myself to come back to the work on hand.

Then I start on preparation for school visits, updating the website, blogging like I’m doing now, creating additional activities and lesson plans for my books. It’s good to keep them updated and be prepared for the next visit. My motto – Always Be Prepared. I was a girl guide once, and well worth the training.

Of course I won’t have all of it to do on the same day. Some days are just writing days, some days are just extra-curricular work days.

But when the contracted projects have been sent away for someone to review or edit, when there is nothing new to do on my extra-curricular tasks – how do I spend my time?

Firstly just because I don’t have a contract on hand, doesn’t mean I stop writing. I’m always working on something – either a new idea or tweaking an old story, doing creative writing exercises, creating funny characters using a game called Character Relay, thinking up odd titles and first lines and scribbling haiku verses.

I have a notebook like what school children call a rough notebook. I write all sorts of things in it – from What-if scenarios to funny poems about the man I saw in the bus or how the clouds changed shape when I went into work. I don’t censor myself when I write in this notebook. I scratch out, I rewrite, I draw, I write messy and I storyboard. As long as the idea gets captured and I create some sparks in the creative nerves of my brains, I’m happy.

So when I’m not writing, I am doing a lot of other things.

IMG_1217Like all writers, I read. I read lots of different books in many different modes – sometimes it’s a grownup book from the Booker shortlist on the kindle, sometimes a stack of picture books in the library and perhaps a sit-down with a collection of poems. The one thing I’m still reluctant to try – audio books.

Very often reading stimulates and triggers a new idea. Sometimes a puzzle piece falls into place about a plot problem or a technique of writing or a character that needed the extra something. Then of course I race to my notebook to jot ideas down, to take down notes and such.

But some days the reading is hard. Could be because the mind is distracted, or there is a low point in the writing and I couldn’t bear to read a masterpiece that would push me into the abyss even deeper. So I have other distractions.

I doodle stuff – from robots to faces to houses to weird-looking cars and ambulance trucks. I colour them in too when I want to play with my sketch pens.IMG_1593

 

 

 

 

 

 

I do zen tangle patterns – I create boxes of design in black and white and in colour. IMG_1656It calms my mind, focuses me on the design in front of me and makes me feel better when I see some of my own artwork.

 

 

 

 

I watch birds – I was always a big fan of small birds. I used to stand in front of the huge small bird display at Natural History Museum for hours. I bought a pair of binoculars and a bird identifying poster a few years ago – but I dropped the binoculars and broke it. Recently after watching an urban birding segment on BBC – I decided I was going to find, listen to and watch birds in my neighbourhood. So I reinvested in a pair of binoculars. P1020334 I diligently record every bird – even the innumerable blackbirds, magpies and crows I see and record their calls and try to memorise the sounds.

I cook – I love cooking all sorts of vegetarian food, bake small cakes and I dream of baking good bread. DSCF0178I cook comfort food when I’m feeling low, I experiment when I find some amazing ingredient in the supermarket and try out new salads or soups because I love one-pot cooking. The dream is to write a comfort cook book sometime in my lifetime. But I don’t think I’m big on measuring ingredients – so like my sister says, how can anyone follow your recipe?

I am going to admit two things that would make you gasp. I love ironing clothes while watching the telly and of course I do watch telly when I’m not pressing clothes too. clip-art-ironing-535176Oh dear, watching telly, isn’t that a bad thing? Well anything is okay in moderation and bad in excess, I reckon. Even ironing. But there are some awesome independent productions, 2-part and 4-part drama that is being produced in the UK now that it would be bad to miss out.

As I have mentioned before in earlier blog posts, I don’t really write well in the afternoons and evenings. So I try and take a break from writing and visit museums, meet friends and meet with family after lunch. In any case visiting family or friends before noon is too rude, isn’t it?

But writing does not always involve writing. You have to live life, watch people walk past, listen to people saying funny things or sad things, learn the name of a flower or a tree or a bird. IMG_1570You have to fly kites, chase flying umbrella and embarrass your nephew in front of his nursery classmates.

It’s also about looking into yourself and learning how to express the emotions you’re feeling now and perhaps the emotions of the past – a sad event in the past, a moment of celebration, a disappointment. All of living is fodder for the writing. But living it alone is not enough – I have to remember it and record it for later use.

My belief is Life Doesn’t Frighten Me, borrowing from Maya Angelou’s words.

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A wise person once said, because writing comes from inside the writer’s head, via the lens of the writer’s experience and from the imagination that has been enriched with myths, legends, stories, history, life, current affairs and so much more. Therefore the writer has to constantly fill the well with all sorts of stuff – hoping the quiet time, the time when you go for a walk, when you look at an elephant in the clouds, when you listen to music or dance to a new song, the time when you don’t write – will mulch the stuff into material – stuff dreams are made of, stuff imagination is made of.

If you want to write, don’t forget to live, reflect, observe, notice and of course write.

The Third Chutney

As a kid I grew up a big dose of stories – especially traditional tales, witty stories of tricksters and wise tales of Mulla Nassruddin and Tenali Raman and Raja Birbal.

idly Stories were like the third chutney served with my hot idlies – stories were in the recipes, at the dinner-table and in the air.

 

Most proverbs and advice were delivered in parables. For example, whenever my mum or grandmother wanted to advice me on self-help and doing things on my own, I would hear this story.

“There was once a man who was very devoted to God. But he was very poor. So one day he went to God and asked to become the next lottery winner. God appeared before him and granted him the wish. The man returned the next day after the results were announced. He was not the winner. There was no one outside his door offering a lot of money. He accused God of cheating. God appeared promptly and told him that at the least, the man should have bought a lottery ticket if he had wanted to win.”

I have never forgotten that lesson and my friends know that I’m averse to asking for help. I’d rather do it myself than ask for help. As a girl who grew up in 70s India, it was an advice ahead of its time and stood me in good stead.

There are more stories and fables that warned me about greedy people, about the wisdom of honesty and the joy of giving even if you had only little. One such story that stuck to me was the lake of milk. This is a story that transcends time and accurately depicts human behavior at its worst – when we have to survive, would we eat our young?

In a kingdom that used to be rich, famine struck. People lost crops, and their livelihoods and their livestock. Eventually some were really poor. A wise man said the famine has been caused by people who had no good intentions and if the people couldn’t change their ways, the famine would last forever.

The king was troubled by this. He wanted to believe that his people were not selfish and greedy. So he invited his people to donate a jug of milk for the poor people in their town. He cleared out a huge man-made lake and asked people to pour their jug of milk that night.

The milk deposit was planned for the night. People stood in queues with a jug. In the morning, when the king came to inspect he found a full pool. But filled with water. Everyone had assumed his jug of water wouldn’t be noticed in a pond of milk. Alas, no one had brought any milk to share.

The people were ashamed at their own selfishness and they didn’t need the king to emphasise this. The people gathered to share and to donate what they had with others thereby ending the famine of kindness in their hearts.

I never checked if these stories were from India or abroad. I read voraciously, listened to stories and joined in after dinner reminiscing of family stories.

One such story that stuck with me was the story of the camel and its master. camelCamels are clever animals and I always have a soft spot for them – next only to giraffes and elephants. When I was six and I went to Delhi, I saw my first camel on the street. Coming from the south, used to seeing cows and elephants on the streets, seeing a camel was so different. I loved their shape, their quietness and their angry calls.

I had read so many Mulla Nassurdin stories that camels were part of my staple diet. Couple of years ago, I decided to retell a camel story that demonstrates the cleverness of camel. And then I sent it off to a publisher I work with in the US.

Clever camel8x150And here it is – the finished product illustrated by Eugene Ruble – the story of Clever Camel right from the deserts of the middle-east.

In this story the camel is a trickster and even though it is the underdog, it turns the table on its master.

If you love stories about animals – especially stories featuring Anansi or the Brer Rabbit, you would love this.

You can buy the book here from my website and all copies would be signed. If you want me to come to your school or library to tell the story, then check out the School & Library Visits page.

If you like retellings of folktale, do check out my story website http://thestorytrain.blogspot.co.uk/.

 

 

 

 

The Perks of Patience – How One Story Had to Wait 7 Years

We were in a farmhouse in Pennsylvania at a Founders’ Workshop with Highlights Foundation. Jane Yolen was our guru at this workshop.

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Farmhouse in Honesdale, at the Founders’ Workshop

 

 

 

 

One of the mid-week assignments was – pick an existing folklore character and write an original story for this character. The assignments were given late in the evening. That meant we stayed up all night and perhaps early morning to do it and read it out in our joint session, the next morning.

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With Jane Yolen and our workshop group – many of us still keep in touch

 

I picked Anansi. Granted I didn’t know Anansi very well at that point. But I knew he was a trickster. I had assumed Anansi was a female because in India girl names end with an i. Jane and the rest of my workshop friends loved the story. But Jane the doyen of folk literature told me Anansi was a boy. Oops!

Encouraged by a great response at the workshop, I worked on this story constantly and I got some good feedback at a Picture Book Intensive in SCBWI Conference in NYC too. I was so confident of this text, so proud of it and I sent it out.

19I counted it today – I had sent it out 19 times before I sent it to OUP, Pakistan in 2013. Nineteen rejections with two close calls with agents. One agent loved it so much that she said, This is an absolutely lovely picture book text.”

She asked to see more. And my mistake, I hadn’t polished a few more the same way I had worked on this manuscript. The agent didn’t want to take me on, with these words, “As you know I really loved your initial submission but I’m afraid I didn’t like these subsequent stories quite as much. There is nothing wrong with them, far from it, but they don’t sing and sparkle in the way that your Anansi story does.”

Then I got some feedback that said retellings of existing Anansi stories were better than making up one of your own. So I rewrote my Anansi story as an Archie story. The Archie spider did get noticed by Templar – they loved it but unfortunately they had just published another spider story.

anansiThis was one unlucky spider, I thought. I started focusing on so many other things, I put away Anansi’s New Web for about 18 months. Then in 2013 I found out from my Indian publisher that OUP Pakistan had bought rights to one of my Indian picture books.

I studied OUP Pakistan’s list. Their picture books were great – more like the Indian lists. And I thought there’s no harm in trying one more time. Maybe, just maybe, they’d like my Anansi story. So I sent my Anansi version instead of the Archie version and I didn’t get a response for a long time. Then I was told to wait 3-6 months for a decision.

Reminder

Then when I reminded them 6 months later, they asked me if this was a retelling and I said no. My heart sank.  I thought maybe OUP Pakistan too didn’t want me to write an original story about Anansi – and I realized this was not meant to happen. I put away the story forever. I would never resend to anyone again.

But every 3-4 months, the junior editor from OUP, Pakistan would write to me saying the manuscript was still under consideration and I would thank them and get on with life. At least it wasn’t yet rejected.

For a writer who doesn’t have an agent, the slushpile is a mountain of hope. If the manuscript is not rejected but not forgotten, then at least it means it is on someone’s desk waiting to be read. But a lot of “Thank you, but No,” letters have taught me to expect the worst. Hope for the best, expect the worst.

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And then it happened. Yesterday! On the 1st January 2015, the same junior editor told me OUP Pakistan was accepting the story for publication, contracts to follow. I read the email a few times to make sure I was reading it right. After a wait of 21 months, Anansi’s New Web has found a home.

7years

Since I wrote Anansi in 2007, it has taken 7 seven years to be accepted. Perhaps another 2 years would go by to be illustrated and published. Who said patience is not an essential ingredient to writing and getting published? But if I had sat at my doorstep waiting for the postman, I wouldn’t have published another 5 books since then.

Saint Monica is the patron saint of Patience
Saint Monica is the patron saint of Patience

Patience does pay off. If you believe in a story, keep at it. But learn from my mistakes – work on other stories too. If an agent likes one, they do want to see others. Since that rejection from the agent, I have never waited by the door for the postman.

 

I would send my submissions out – by post and increasingly by email and then forget about it. If they love it, they would let you know. Work on the next one. Polish the third one. Edit a fourth one. Especially in picture books, you can’t rely on one manuscript to make your career.

During the New Year’s party this year, a few hours before the acceptance email came through, a dear friend told me – believe in yourself, keep writing and do what you think is best – stop asking too many people for feedback. He’s right. I rewrote this story a million times as different people told me different things. But the original version (minor editing aside) was liked by many people and has been accepted now.

Sometimes it is tough to keep faith in the story that as been rejected so many times. It’s okay I think to set it aside and work on something else. Every story I wrote and didn’t get published adds to the learning experience of the next story I write.

So my friends, keep the faith. Tell your story – only you can tell it.